{"id":3768,"date":"2026-03-31T18:39:54","date_gmt":"2026-03-31T18:39:54","guid":{"rendered":"https:\/\/elenaartesescenicas.es\/?post_type=project&p=3768"},"modified":"2026-03-31T18:39:56","modified_gmt":"2026-03-31T18:39:56","slug":"sacresize","status":"publish","type":"project","link":"https:\/\/elenaartesescenicas.es\/en\/project\/sacresize\/","title":{"rendered":"SACRESIZE"},"content":{"rendered":"\n[et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.17.6″ custom_padding=\u00bb0px||4px|||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/elenaartesescenicas.es\/wp-content\/uploads\/2026\/03\/Sacresize-ext.-web._page-0001.jpg\u00bb title_text=\u00bbSacresize ext. web._page-0001″ _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb0px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.16″ text_font=\u00bbOswald||||||||\u00bb header_font=\u00bb||||||||\u00bb header_3_font=\u00bbOswald||||||||\u00bb header_3_font_size=\u00bb40px\u00bb header_3_letter_spacing=\u00bb1px\u00bb min_height=\u00bb237px\u00bb custom_margin=\u00bb-97px||-39px|||\u00bb custom_padding=\u00bb109px||10px|||\u00bb header_3_text_shadow_style=\u00bbpreset1″ header_3_text_shadow_vertical_length=\u00bb0.23em\u00bb header_3_text_shadow_blur_strength=\u00bb0.14em\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]

\u00bfQu\u00e9 es SACRESIZE?<\/h3>\n

 <\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb15px||0px|||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/elenaartesescenicas.es\/wp-content\/uploads\/2026\/03\/175.jpg\u00bb title_text=\u00bb175″ _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.5″ text_font=\u00bb||||\u00bb text_text_color=\u00bb#000000″ text_font_size=\u00bb26px\u00bb header_font=\u00bbComfortaa||||\u00bb header_text_align=\u00bbcenter\u00bb header_text_color=\u00bb#444235″ header_font_size=\u00bb51px\u00bb header_line_height=\u00bb1.3em\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb text_orientation=\u00bbcenter\u00bb width=\u00bb100%\u00bb module_alignment=\u00bbcenter\u00bb min_height=\u00bb112.9px\u00bb custom_margin=\u00bb|1px|-79px|||\u00bb custom_padding=\u00bb0px||0px|||\u00bb text_font_size_tablet=\u00bb18px\u00bb text_font_size_phone=\u00bb16px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb header_font_size_tablet=\u00bb41px\u00bb header_font_size_phone=\u00bb31px\u00bb header_font_size_last_edited=\u00bbon|phone\u00bb inline_fonts=\u00bbForum,Vesper Libre,Average\u00bb global_colors_info=\u00bb{}\u00bb]

Un dispositivo coreogr\u00e1fico creado por Alberto Velasco que investiga sobre la gorditud y celebra lo genuino de estos cuerpos a trav\u00e9s de la danza. Un ballet para personas gordas en dos actos. El primer acto se titula SIZE con video creaci\u00f3n del nominado al Goya Afioco Gnecco y m\u00fasica original de Fernando Nequecaur y el segundo acto se titula SACRE con m\u00fasica de Igor Stravisky y la partitura de su impactante \u201cLa Consagraci\u00f3n de la Primavera\u201d. \u00bfPor que ahora?<\/span><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_toggle title=\u00bbSACRESIZE +\u00bb open_toggle_text_color=\u00bb#000000″ icon_color=\u00bb#000000″ toggle_icon=\u00bb"||divi||400″ use_icon_font_size=\u00bbon\u00bb icon_font_size=\u00bb46px\u00bb open_icon_color=\u00bb#000000″ open_toggle_icon=\u00bb||divi||400″ open_use_icon_font_size=\u00bbon\u00bb open_icon_font_size=\u00bb20px\u00bb title_tablet=\u00bbseguir leyendo\u00bb title_phone=\u00bbseguir leyendo\u00bb title_last_edited=\u00bbon|desktop\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb title_text_color=\u00bb#000000″ title_font=\u00bbForum|700|||||||\u00bb title_text_align=\u00bbcenter\u00bb title_font_size=\u00bb28px\u00bb body_font_size=\u00bb26px\u00bb text_orientation=\u00bbleft\u00bb min_height=\u00bb78.5px\u00bb custom_margin=\u00bb-46px|||||\u00bb title_font_size_tablet=\u00bb24px\u00bb title_font_size_phone=\u00bb20px\u00bb title_font_size_last_edited=\u00bbon|desktop\u00bb body_font_size_tablet=\u00bb20px\u00bb body_font_size_phone=\u00bb16px\u00bb body_font_size_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb inline_fonts=\u00bbForum,Ubuntu,Average\u00bb global_colors_info=\u00bb{}\u00bb]

SACRESIZE es un proyecto que recoge distintas heridas culturales y sociales que veo necesario poner en un escenario para seguir generando espacios de reflexi\u00f3n con la firme voluntad de construir entre todos\/as un futuro mejor para las nuevas generaciones. La herida central de este proyecto tiene que ver con la violencia que recibimos los cuerpos gordos en esta sociedad. Una violencia que atraviesa de manera transversal a otras violencias recibidas ya sean por g\u00e9nero, raza, clase social o edad, y me parece necesario se\u00f1alar aqu\u00ed el contexto de violencia est\u00e9tica generalizado que asumimos. Un estado de sitio peligroso aceptado por todos\/as y que convierte nuestra sociedad en un lugar hostil, doloroso y fr\u00e1gil, en el que habitan personas llenas de miedos y frustraci\u00f3n con sus cuerpos llegando a desarrollar graves problemas de salud mental. No se escapa nadie a esta realidad, todos\/as vivimos (En mayor o menor medida) recibiendo constantes ataques a nuestros cuerpos. Por eso es un espect\u00e1culo que impactar\u00e1 en el imaginario colectivo del p\u00fablico cuestionando ideas prehendidas que tienen que ver con su cuerpo y como se relacionan con el mundo, ideas sobre la belleza, la frustraci\u00f3n, la verg\u00fcenza, la liberaci\u00f3n.<\/span><\/p>[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_testimonial portrait_width=\u00bb92px\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb inline_fonts=\u00bbArial\u00bb global_colors_info=\u00bb{}\u00bb]

\u201cLa danza no se ha inventado para que la baile un se\u00f1or muy guapo, muy bonito, muy delgado. Yo creo que se esta perdiendo el sentido y el origen de la danza. Todo el mundo tiene derecho a danzar. Los gordos bailaban. Los ni\u00f1os. Los viejos. Se ha creado un arquetipo de bailar\u00edn que no es cierto. Los pueblos que cantan y que danzan no se mueren en la vida\u201d<\/em><\/span><\/p>\n

Antonio Gades<\/p>[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb min_height=\u00bb176px\u00bb custom_margin=\u00bb-3px|auto||auto||\u00bb custom_padding=\u00bb0px||1px|||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.5″ text_font=\u00bbOswald||||||||\u00bb header_font=\u00bb||||||||\u00bb header_3_font=\u00bbOswald||||||||\u00bb header_3_font_size=\u00bb40px\u00bb header_3_letter_spacing=\u00bb1px\u00bb min_height=\u00bb177px\u00bb custom_margin=\u00bb13px||-5px|||\u00bb custom_padding=\u00bb49px||1px|||\u00bb header_3_text_shadow_style=\u00bbpreset1″ header_3_text_shadow_vertical_length=\u00bb0.23em\u00bb header_3_text_shadow_blur_strength=\u00bb0.14em\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]

FICHA ART\u00cdSTICA<\/h3>\n

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IDEA ORIGINAL & CREACI\u00d3N: Alberto Velasco<\/strong><\/span>
INT\u00c9RPRETES: Esperanza Guardado, Juanki Fernandez, Carlota Ferrer, Jack G\u00f3mez, Fiona Orioli, Lucia Palacios, Vicki Schmidt & Alberto Velasco<\/strong><\/span>
COREOGRAFIA: Alberto Velasco en colaboraci\u00f3n con los int\u00e9Xrpretes<\/strong><\/span>
REPETIDORA: Anna Climent<\/strong><\/span>
M\u00daSICA PARTE I: Fernando Nequeca\u00fcr & Pablo D\u00edez Dolinski – Size<\/strong><\/span>
M\u00daSICA PARTE II: Igor Stravinski – La Consagraci\u00f3n de la Primavera<\/strong><\/span>
VIDEO CREACI\u00d3N: Afioco Gnecco<\/strong><\/span>
DISE\u00d1O DE ILUMINACI\u00d3N: David Picazo<\/strong><\/span>
VESTUARIO: Sara S\u00e1nchez de la Morena<\/strong><\/span>
DISE\u00d1O DE PRODUCCI\u00d3N & DISTRIBUCI\u00d3N: Elena Mart\u00ednez_ElenArtesesc\u00e9nicas<\/strong><\/span>
DIRECCI\u00d3N T\u00c9CNICA: Bela Nagy<\/strong><\/span>
AYUDANTE DE DIRECCI\u00d3N: Carla R. Caban\u00e9<\/strong><\/span>
AYUDANTE DE ILUMINACI\u00d3N Y T\u00c9CNICO EN GIRA: Ra\u00fal Escudero<\/strong><\/span>
DISE\u00d1O DE QLAB: Manuel Tejera<\/strong><\/span>
COMUNICACI\u00d3N: DyP Comunicaci\u00f3n<\/strong><\/span>
FOTOGRAFIA CARTEL: Adrian Nucelaar<\/strong><\/span>
FOTOGRAFIA EN VIVO: Dominik Valvo<\/strong><\/span>
OFICINA DE REPRESENTACI\u00d3N DE ALBERTO VELASCO: Mesala Films<\/strong><\/span>
OFICINA GESTI\u00d3N DE DERECHOS DE IGOR STRAVINSKY: Monges & Boceta<\/strong><\/span>
CUERPO DE BAILE DE LOS LABORATORIOS DE CREACI\u00d3N: Adriana Mirla, Pau Jimfer, Nuria Hontecillas y participantes del \u201cWork in flesh\u201d \/ El Graner – 2025<\/strong><\/span><\/p>\n

RESIDENCIAS: El Graner – Mercat de les Flors de Barcelona 2025, Residencia Horizontes Teatro Calder\u00f3n de Valladolid 2025, Residencia Fabra i Coats de Barcelona asociada a la ayuda BECA TABACALERA 2026 de la Subdirecci\u00f3n General de Artes Visuales y Creaci\u00f3n Contempor\u00e1nea del Ministerio de Cultura con fondos Next Generation de la UE.<\/strong><\/span><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ _builder_version=\u00bb4.23.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.23.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.23.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb min_height=\u00bb176px\u00bb custom_margin=\u00bb-3px|auto||auto||\u00bb custom_padding=\u00bb0px||1px|||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.5″ text_font=\u00bbOswald||||||||\u00bb header_font=\u00bb||||||||\u00bb header_3_font=\u00bbOswald||||||||\u00bb header_3_font_size=\u00bb40px\u00bb header_3_letter_spacing=\u00bb1px\u00bb min_height=\u00bb177px\u00bb custom_margin=\u00bb13px||-5px|||\u00bb custom_padding=\u00bb49px||1px|||\u00bb header_3_text_shadow_style=\u00bbpreset1″ header_3_text_shadow_vertical_length=\u00bb0.23em\u00bb header_3_text_shadow_blur_strength=\u00bb0.14em\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]

Trayectoria de<\/h3>\n

ALBERTO VELASCO<\/h3>\n

 <\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.23.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.23.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/elenaartesescenicas.es\/wp-content\/uploads\/2026\/03\/AN_AlbertoVelasco-16-scaled.jpg\u00bb title_text=\u00bbAN_AlbertoVelasco 16″ _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_image src=\u00bbhttps:\/\/elenaartesescenicas.es\/wp-content\/uploads\/2026\/03\/AN_AlbertoVelasco-22-scaled.jpg\u00bb title_text=\u00bbAN_AlbertoVelasco 22″ _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.23.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.5″ text_font=\u00bb||||\u00bb text_text_color=\u00bb#000000″ text_font_size=\u00bb26px\u00bb header_font=\u00bbComfortaa||||\u00bb header_text_align=\u00bbcenter\u00bb header_text_color=\u00bb#444235″ header_font_size=\u00bb51px\u00bb header_line_height=\u00bb1.3em\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb text_orientation=\u00bbcenter\u00bb width=\u00bb100%\u00bb module_alignment=\u00bbcenter\u00bb min_height=\u00bb112.9px\u00bb custom_margin=\u00bb|1px|13px|||\u00bb custom_padding=\u00bb0px||0px|||\u00bb text_font_size_tablet=\u00bb18px\u00bb text_font_size_phone=\u00bb16px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb header_font_size_tablet=\u00bb41px\u00bb header_font_size_phone=\u00bb31px\u00bb header_font_size_last_edited=\u00bbon|phone\u00bb inline_fonts=\u00bbForum,Vesper Libre,Average\u00bb global_colors_info=\u00bb{}\u00bb]

Actor y creador indispensable en la escena espa\u00f1ola ha trabajado con Marta Pazos en \u201cORLANDO\u201d, Lola Blasco en \u201cEL TEATRO DE LAS LOCAS\u201d , Carlota Ferrer en \u201cLOS NADADORES NOCTURNOS\u201d \u201cESTO NO ES LA CASA DE BERNARDA \u201cTIRESIAS\u201d, ALBA\u201d , \u201cLOS NADADORES DIURNOS\u201d (Premio Uni\u00f3n de Actores al mejor Actor de Reparto de Teatro 2023) Con Chevi Muraday en \u201cJUANA\u201d \/ \u201cCENIZAS\u201d \/ \u201cEN EL DESIERTO (Premio Max de las Artes Esc\u00e9nicas al Mejor Espect\u00e1culo de Danza 2015), Alberto Conejero en \u201cCLIFT\/ACANTILADO\u201d , Juan Carlos P\u00e9rez de la Fuente en \u201cNUMANCIA\u201d , David Serrano en \u201cBILLY ELLIOT, EL MUSICAL\u201d , Marta Carrasco \u201cDIES IRAE\u201d , \u201cNO SE SI\u2026 \u201d, Hiroko Tanahasi & Alicia Soto en \u201cSUPERGRAVITYZEROGRAVITY\u201d<\/span><\/p>\n

Como director y creador de escena multidisciplinar reconocible por su estilo ecl\u00e9ctico sus montajes se han podido ver en todo el mundo: \u201d\u00a1VACA!\u201d , <\/span>\u201dLA INOPIA\u201d \u201cESCENAS DE CAZA\u201d, \u201cDANZAD MALDITOS\u201d (Premio MAX de las Artes Esc\u00e9nicas al Mejor Montaje Revelaci\u00f3n 2015) \u201cDANCE TO DEATH\u201d en el festival GREC 2017, \u201cCUANDO TODO CAMBIA\u201d de Itziar Pascual y Amaranta Osorio, \u201cATRA BILIS\u201d de Laila Ripoll o \u201cSWEET DREAMS\u201d (Premio Godoff Mejor montaje 2022 y Premio Mejor Actor de Teatro Uni\u00f3n de Actores 2022)<\/span><\/p>\n

Su ultimas piezas como creador han sido \u201cLA J\u00c1CARA DE LOS CUERPOS IMPOSIBLES\u201d y \u201cMOVER MONTA\u00d1AS\u201d co producida por el Festival Internacional TAC de Valladolid y Danseu Festival de Les Piles. Premio del jurado al Espect\u00e1culo m\u00e1s innovador del Festival Internacional TAC de Valladolid 2024 y finalista a Mejor Solo de Danza en los Premios de la Critica de Barcelona 2024. Tambi\u00e9n hace las asesor\u00edas esc\u00e9nicas de los montajes de Manuel Li\u00f1an \u201cVIVA\u201d (Premio de la critica de Jerez 2019 y Premio Max del P\u00fablico 2020) \u201cLA OTRA ESCENA\u201d y \u201cPIE DE HIERRO\u201do Carlos Rodriguez \u201cETERNO\u201d .En televisi\u00f3n le hemos visto en series como \u201cAMAR ES PARA SIEMPRE\u201d \/ A3 o en \u201cVIS A VIS\u201d A3\/Netflix\/Fox donde interpreta a Palacios.<\/span>
Interpreta a Ram\u00f3n de \u201dSE\u00d1ORAS DEL (H)AMPA\u201d T5\/Amazon. Tambi\u00e9n participa en \u201cMADRES\u201d Amazon \/ T5 donde interpreta a Rafa. En 2020 colabora en \u201cBY ANA MILAN\u201d de Atresmedia Studios. Adem\u00e1s escribe y dirige los cortometrajes \u201cVOLC\u00c1NICA\u201d y \u201cEL REY DE LAS FLORES\u201d y publica el libro \u201cPOBRE, GORDO y MARIC\u00d3N\u201d con la editorial Marli Brosgen.<\/span><\/p>\n

Alberto ha recibido los siguientes premios y\/o reconocimientos a su trayectoria y compromiso social<\/span><\/p>\n

Premio de Honor Festival CINHOMO 2024<\/span>
Premio Oca\u00f1a del Festival FANCINEQUEER 2023<\/span>
Premio Giordano Bruno de Teatro 2015<\/span>
Premio Racimo de Oro de Danza 2012<\/span><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb||0px|||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.16″ text_font=\u00bbOswald||||||||\u00bb header_font=\u00bb||||||||\u00bb header_3_font=\u00bbOswald||||||||\u00bb header_3_font_size=\u00bb40px\u00bb header_3_letter_spacing=\u00bb1px\u00bb min_height=\u00bb237px\u00bb custom_margin=\u00bb-97px||39px|||\u00bb custom_padding=\u00bb90px||0px|||\u00bb header_3_text_shadow_style=\u00bbpreset1″ header_3_text_shadow_vertical_length=\u00bb0.23em\u00bb header_3_text_shadow_blur_strength=\u00bb0.14em\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]

Videos<\/h3>\n

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Ballet para personas
\ngordas sobre \u201cLa
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