{"id":3006,"date":"2024-11-04T19:23:14","date_gmt":"2024-11-04T19:23:14","guid":{"rendered":"https:\/\/elenaartesescenicas.es\/?post_type=project&p=3006"},"modified":"2025-12-23T16:16:57","modified_gmt":"2025-12-23T16:16:57","slug":"personas-lugares-y-cosas","status":"publish","type":"project","link":"https:\/\/elenaartesescenicas.es\/en\/project\/personas-lugares-y-cosas\/","title":{"rendered":"PERSONAS, LUGARES Y COSAS"},"content":{"rendered":"\n[et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.17.6″ custom_padding=\u00bb78px||4px|||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.22.2″ _module_preset=\u00bbdefault\u00bb width=\u00bb100%\u00bb max_width=\u00bb2560px\u00bb module_alignment=\u00bbcenter\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/elenaartesescenicas.es\/wp-content\/uploads\/2025\/12\/Personas-lugares-y-cosas-3_page-0001-scaled.jpg\u00bb alt=\u00bb.Elenco _Electra_ (Foto de Luz Soria)_web\u00bb title_text=\u00bbPersonas, lugares y cosas-3_page-0001″ align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb||0px|||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/elenaartesescenicas.es\/wp-content\/uploads\/2025\/07\/irene-escolar-1-e1753959662442.jpg\u00bb title_text=\u00bbxr:d:DAFDeyAGjqk:52,j:36017137080,t:22092211″ align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]

Irene Escolar<\/strong><\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/elenaartesescenicas.es\/wp-content\/uploads\/2025\/07\/Pablo-Messiez-La-voluntad-de-creer-400×267-1-e1753959374807.webp\u00bb title_text=\u00bbPablo-Messiez-La-voluntad-de-creer-400×267″ align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb min_height=\u00bb10px\u00bb custom_padding=\u00bb0px|||||\u00bb global_colors_info=\u00bb{}\u00bb]

Pablo Messiez<\/strong><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text admin_label=\u00bbTitle\u00bb _builder_version=\u00bb4.27.4″ text_font=\u00bb||||\u00bb text_text_color=\u00bb#3e3f56″ text_font_size=\u00bb21px\u00bb header_font=\u00bbComfortaa||||\u00bb header_text_align=\u00bbcenter\u00bb header_text_color=\u00bb#444235″ header_font_size=\u00bb25px\u00bb header_line_height=\u00bb1.3em\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb text_orientation=\u00bbcenter\u00bb module_alignment=\u00bbcenter\u00bb min_height=\u00bb210.9px\u00bb custom_margin=\u00bb||-9px|||\u00bb custom_padding=\u00bb||0px|||\u00bb header_font_size_tablet=\u00bb20px\u00bb header_font_size_phone=\u00bb15px\u00bb header_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]

Irene Escolar<\/strong>\u00a0protagoniza\u00a0 Personas, Lugares y Cosas un texto de Duncan MacMillan<\/strong>, dirigido por Pablo Messiez<\/strong>.<\/h1>\n

Se podr\u00e1 ver en la Sala Grande del Teatro Espa\u00f1ol del 25 de Noviembre de 2025 al 11 de Enero de 2026.<\/strong><\/h1>\n


Entradas ya a la venta.\u00a0<\/span><\/h1>[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/tienda.madrid-destino.com\/es\/teatro-espanol\/personas-lugares-y-cosas\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbENTRADAS\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb min_height=\u00bb250.9px\u00bb custom_padding=\u00bb||0px|||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb text_font=\u00bb||||\u00bb text_text_color=\u00bb#000000″ text_font_size=\u00bb22px\u00bb header_font=\u00bbComfortaa||||\u00bb header_text_align=\u00bbcenter\u00bb header_text_color=\u00bb#444235″ header_font_size=\u00bb51px\u00bb header_line_height=\u00bb1.3em\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb text_orientation=\u00bbcenter\u00bb width=\u00bb100%\u00bb module_alignment=\u00bbcenter\u00bb min_height=\u00bb216.9px\u00bb custom_margin=\u00bb|1px|-9px|||\u00bb custom_padding=\u00bb0px||0px|||\u00bb text_font_size_tablet=\u00bb15px\u00bb text_font_size_phone=\u00bb14px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb header_font_size_tablet=\u00bb41px\u00bb header_font_size_phone=\u00bb31px\u00bb header_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]
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Un texto que mira de frente, y sin prejuicios, el mundo de las adicciones y sus causas, planteando como posibilidad de salvaci\u00f3n la experiencia del encuentro colectivo. Reunirse y escucharse, como en el teatro, como ant\u00eddoto para el dolor.<\/div>\n
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El resto del reparto est\u00e1 compuesto por Sonia Almarcha, Tom\u00e1s del Estal, Javier Ballesteros, Brays Efe, Blanca Javaloy, Daniel Jumillas, Manuel Egozkue, Claudia Faci y M\u00f3nica Acevedo.\u00a0<\/span><\/div>\n
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SOBRE LA OBRA<\/span><\/strong><\/h1>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb text_font=\u00bb||||\u00bb text_text_color=\u00bb#000000″ text_font_size=\u00bb22px\u00bb header_font=\u00bbComfortaa||||\u00bb header_text_align=\u00bbcenter\u00bb header_text_color=\u00bb#444235″ header_font_size=\u00bb51px\u00bb header_line_height=\u00bb1.3em\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb text_orientation=\u00bbcenter\u00bb width=\u00bb96.9%\u00bb module_alignment=\u00bbcenter\u00bb min_height=\u00bb216.9px\u00bb custom_margin=\u00bb|1px|-9px|||\u00bb custom_padding=\u00bb0px||0px|||\u00bb text_font_size_tablet=\u00bb15px\u00bb text_font_size_phone=\u00bb14px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb header_font_size_tablet=\u00bb41px\u00bb header_font_size_phone=\u00bb31px\u00bb header_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]
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En Personas, lugares y cosas, Duncan Macmillan acompa\u00f1a los d\u00edas del proceso de desintoxicaci\u00f3n de Emma junto a un grupo de pacientes con casos de consumo problem\u00e1tico de sustancias.<\/p>\n

Ella es actriz y llega al Centro luego de, aparentemente, haber tocado fondo. Ya en la primera acotaci\u00f3n de la obra el autor nos dice: \u201cVemos lo que ella ve\u201d, dejando as\u00ed que las escenas se vean afectadas por la percepci\u00f3n de una mujer bajo la influencia, y dici\u00e9ndonos a la vez que ella es tambi\u00e9n, al menos por un rato, nosotros.<\/p>\n

En la misma acotaci\u00f3n inicial, contin\u00faa: \u201cCuando la escena cambia en torno a ella, Emma es consciente de lo que pasa\u201d.<\/p>\n

Y es en el final de esta frase donde se intuye la apuesta ideol\u00f3gica de la obra.\u00a0<\/p>\n

Emma -nosotros- somos conscientes de lo que pasa. El cuerpo siempre sabe lo que pasa. El problema es que muchas veces nos cuesta escucharlo.<\/p>\n

Lejos de plantear un mundo dividido en adictos y no adictos, o de pensar el consumo problem\u00e1tico como algo cercano a la fatalidad- Emma, puede reconocerse responsable. Saber que desde su lugar de privilegio est\u00e1 eligiendo -como en el teatro- hacer lo que hace y darle su vida a ello. Aunque cueste aceptar como elecci\u00f3n del propio cuerpo el lastimarse.<\/p>\n

Es el reconocimiento de esa complejidad lo que le permite ver su deseo y entender entonces que si se trata de elegir, mejor elegir aquello que brinde m\u00e1s alegr\u00eda que tristeza. M\u00e1s vida que muerte. Aquello que aumente su potencia de obrar. En definitiva, elegir actuar. Decir: estoy aqu\u00ed, esta es mi vida. Y hacerse cargo.<\/p>\n

Porque Emma sabe que la vida es tan real -o tan irreal- como el teatro. Que se trata de pactos que vamos aceptando y que por lo tanto, podemos cambiar.<\/p>\n

Pero no es este un drama did\u00e1ctico moralizante. En todo caso es un planteo \u00e9tico acerca de c\u00f3mo gestionamos el dolor y el placer. Todos los argumentos, como si se tratara de una tragedia griega, son de una solidez que convence. Tambi\u00e9n como en las tragedias, hay personajes y coro, y una tensi\u00f3n constante e irresoluble entre lo apol\u00edneo y lo dionis\u00edaco. Entre la l\u00f3gica de la raz\u00f3n y los misterios del cuerpo.<\/p>\n

Personas, lugares y cosas\u00a0no busca sentar c\u00e1tedra sobre ninguna cuesti\u00f3n (la obra se cierra con un \u201cPor qu\u00e9\u201d suspendido en el aire) sino poner en escena -con lucidez, humor y afecto- la complejidad, el absurdo y la maravilla de estar vivos.<\/p>\n

Pablo Messiez\/Julio 2025\u00a0<\/p>\n

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SINOPSIS<\/span><\/strong><\/h1>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb3_5,2_5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb3_5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb text_font=\u00bb||||\u00bb text_text_color=\u00bb#000000″ text_font_size=\u00bb22px\u00bb header_font=\u00bbComfortaa||||\u00bb header_text_align=\u00bbcenter\u00bb header_text_color=\u00bb#444235″ header_font_size=\u00bb51px\u00bb header_line_height=\u00bb1.3em\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb text_orientation=\u00bbcenter\u00bb width=\u00bb100%\u00bb module_alignment=\u00bbcenter\u00bb min_height=\u00bb216.9px\u00bb custom_margin=\u00bb|1px|-9px|||\u00bb custom_padding=\u00bb0px||0px|||\u00bb text_font_size_tablet=\u00bb15px\u00bb text_font_size_phone=\u00bb14px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb header_font_size_tablet=\u00bb41px\u00bb header_font_size_phone=\u00bb31px\u00bb header_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]
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Emma es actriz. Est\u00e1 en escena actuando el personaje protagonista de \u201cLa gaviota\u201d. Va muy drogada. \u201cA m\u00ed habr\u00eda que matarme\u201d dice. Porque lo pone el texto, pero tambi\u00e9n porque lo piensa. Y unos instantes despu\u00e9s, colapsa. Emma, Nina y todo.<\/span><\/p>\n

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Ah\u00ed empezar\u00e1 su viaje hacia la recuperaci\u00f3n. Ah\u00ed empieza Personas, lugares y cosas.<\/p>\n

Los d\u00edas en la cl\u00ednica de desintoxicaci\u00f3n junto al grupo de profesionales y pacientes ser\u00e1n el marco en el que Duncan Macmillan desplegar\u00e1 este viaje hacia el coraz\u00f3n del trauma, en la b\u00fasqueda por sanar la herida.<\/p>\n

\u00bfC\u00f3mo volver a estar aqu\u00ed, despu\u00e9s de tanto querer irse?<\/p>\n

En la obra no hay certezas pero s\u00ed un acci\u00f3n sostenida: la de escuchar. Escuchar a los otros, dejar de mirarse por un rato. Y as\u00ed, verse mejor. Saberse parte de un grupo que conoce tanto del placer como del sufrimiento. \u201cEstoy aqu\u00ed. Est\u00e1s aqu\u00ed. Estamos aqu\u00ed\u201d dice Emma. Y algo del dolor se calma al saberse cerca<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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FICHA ART\u00cdSTICA<\/span><\/strong><\/h1>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb min_height=\u00bb1893px\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb text_font=\u00bb||||\u00bb text_text_color=\u00bb#000000″ text_font_size=\u00bb22px\u00bb header_font=\u00bbComfortaa||||\u00bb header_text_align=\u00bbcenter\u00bb header_text_color=\u00bb#444235″ header_font_size=\u00bb51px\u00bb header_line_height=\u00bb1.3em\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb text_orientation=\u00bbcenter\u00bb width=\u00bb100%\u00bb module_alignment=\u00bbcenter\u00bb min_height=\u00bb216.9px\u00bb custom_margin=\u00bb|1px|-9px|||\u00bb custom_padding=\u00bb0px||0px|||\u00bb text_font_size_tablet=\u00bb15px\u00bb text_font_size_phone=\u00bb14px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb header_font_size_tablet=\u00bb41px\u00bb header_font_size_phone=\u00bb31px\u00bb header_font_size_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]

Autor:\u00a0Duncan Macmillan<\/strong>
Adaptaci\u00f3n y direcci\u00f3n:\u00a0Pablo Messiez<\/strong><\/p>\n

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Reparto (por orden de intervenci\u00f3n):<\/p>\n

Emma:\u00a0<\/span>Irene Escolar<\/strong>
Konstantin\/ Marc:\u00a0<\/span>Javier Ballesteros<\/strong>
Pol\/ Padre:\u00a0<\/span>Tom\u00e1s del Estal<\/strong>
Pastor:\u00a0<\/span>Brays Efe<\/strong>
Doctora\/ Terapeuta\/ Madre:\u00a0<\/span>Sonia Almarcha<\/strong>
Charlotte:\u00a0<\/span>Claudia Faci<\/strong>
Juan:\u00a0<\/span>Daniel Jumillas<\/strong>
Laura\/ Enfermera:\u00a0<\/span>M\u00f3nica Acevedo<\/strong>
Moni\/ Enfermera:\u00a0<\/span>Blanca Javaloy<\/strong>
T:\u00a0<\/span>Manuel Egozkue<\/strong>
Doble de Emma:\u00a0<\/span>Josefina Gorostiza<\/strong><\/p>\n

Escenograf\u00eda:\u00a0Max Glaenzel<\/strong>
Vestuario:\u00a0<\/span>Silvia Delagneau<\/strong>
Iluminaci\u00f3n:\u00a0<\/span>Carlos Marquerie<\/strong>
Espacio sonoro y M\u00fasica original:\u00a0<\/span>\u00d3scar G. Villegas<\/strong>
Movimiento esc\u00e9nico:\u00a0<\/span>Josefina Gorostiza<\/strong>
Ayudante de direcci\u00f3n:\u00a0<\/span>Miguel Valent\u00edn<\/strong>
Ayudante de escenograf\u00eda:\u00a0<\/span>Gonzalo Acero<\/strong>
Ayudante de vestuario:\u00a0<\/span>Beatriz Carballo<\/strong>
Residente de ayudant\u00eda de direcci\u00f3n:\u00a0<\/span>Ares B. Fern\u00e1ndez<\/strong><\/p>\n

Fotograf\u00eda cartel:\u00a0<\/span>Pablo Zamora<\/strong>
Fotograf\u00eda de escena:\u00a0<\/span>Mario Zamora<\/strong><\/p>\n

\n

Equipo t\u00e9cnico compa\u00f1\u00eda<\/p>\n

Regidur\u00eda:\u00a0<\/span>Ana G\u00f3mez Salamanca<\/strong>
Iluminaci\u00f3n:\u00a0<\/span>David Benito<\/strong>
Sonido:\u00a0<\/span>Ale de Miguel y Arsenio Fern\u00e1ndez<\/strong>
Maquinaria:\u00a0<\/span>Miguel Angel Jim\u00e9nez Marrupe y\u00a0Emilio Enr\u00edquez<\/strong>
Sastrer\u00eda:\u00a0<\/span>Estrella Baltasar<\/strong>
Ayte. de producci\u00f3n:\u00a0<\/span>Aurora Carragal<\/strong>
Realizaci\u00f3n escenograf\u00eda y atrezzo:\u00a0<\/span>Readest Montajes, Big Image<\/strong>
Realizaci\u00f3n gaviota:\u00a0<\/span>Jaime Polo<\/strong>
Realizaci\u00f3n vestuario:\u00a0<\/span>I\u00f1aki Cobos, Crin esc\u00e9nica<\/strong><\/p>\n

\n

Equipo producci\u00f3n Mogambo:\u00a0<\/span>Ignacio Salazar-Simpson, Alicia Cal\u00f4t e Irene Escolar<\/strong><\/p>\n

Producci\u00f3n:\u00a0Mogambo\u00a0<\/strong>y\u00a0Teatro Espa\u00f1ol\u00a0<\/strong>con la colaboraci\u00f3n del\u00a0<\/span>Teatro Calder\u00f3n de Valladolid<\/strong><\/p>\n

Distribuci\u00f3n Elena Mart\u00ednez<\/strong><\/p>\n

Agradecimientos:\u00a0<\/span>Ruy Arroyo\u00a0<\/span><\/strong>(fundador\u00a0<\/span>Charlas adictivas<\/em>\u00a0<\/span>y especialista en el tratamiento de las adicciones), Francisco Pere\u00f1a, Juan Carlos de Vicente<\/strong>\u00a0<\/span>(Gabinete Asistencia M\u00e9dico Psicol\u00f3gica),\u00a0<\/span>Alicia Moreno, Mar Mont\u00e1vez, Carlos Marqu\u00e9s-Marcet, Carmen Marcet, Pablo Zamora, Jes\u00fas Rodr\u00edguez Pyn, Irene Vivas,\u00a0<\/strong>Sala 25,<\/strong>\u00a0Manoir de la Moissie y Roc\u00edo E.Vi\u00f1olo y CREA SGR.<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

<\/span><\/p>\n

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En Personas, lugares y cosas, Duncan Macmillan acompa-
\n\u00f1a los d\u00edas del proceso de desintoxicaci\u00f3n de Emma junto
\na un grupo de pacientes con casos de consumo problem\u00e1-
\ntico de sustancias.
\nElla es actriz y llega al Centro luego de, aparentemente,
\nhaber tocado fondo.<\/p>","protected":false},"author":1,"featured_media":3598,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[17,24],"project_tag":[],"class_list":["post-3006","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-distribucion","project_category-produccion"],"yoast_head":"\nPERSONAS, LUGARES Y COSAS » Elena Artes Esc\u00e9nicas<\/title>\n<meta name=\"description\" content=\"Una actriz entra en rehabilitacio\u0301n tras colapsar enescena. Emma es una actriz y una adicta que trata de redefinirsea si\u0301 misma.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/elenaartesescenicas.es\/en\/project\/personas-lugares-y-cosas\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PERSONAS, LUGARES Y COSAS » Elena Artes Esc\u00e9nicas\" \/>\n<meta property=\"og:description\" content=\"Una actriz entra en rehabilitacio\u0301n tras colapsar enescena. 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